How-to guide · November 2026

Guide · November 2026

How the site and the Studio work

Everything you can do with the site, in the order you'll do it: adding work, shaping each collection's page, animating with video and frame sequences, selling prints, and editing the front page visually.

Everything autosavesWhenever you change something in the Studio the top bar shows Saving… then Saved 12:04. You can have the Studio open on your phone and laptop at the same time; changes merge rather than overwrite each other.

01

Signing in and finding your way around

Open https://ivansamur.com/studio and enter the password. The first-time password is ivan — change it straight away under Password in the sidebar. You stay signed in for two weeks on that device.

The Studio with a collection open
The Studio: collections and site sections on the left; the open collection with its drop zone and work cards in the middle; status, View site and Sign out in the top bar.

The sidebar

  • Collections — one entry per collection. A gold dot means published (visible on the site); a grey dot means draft (only you see it). The number is how many works it holds.
  • + New collection — opens the template gallery (section 02).
  • ✎ Design front page — the front page in a live preview you can click on (section 08).
  • Prints & shop — everything tagged as a print, with prices and stock.
  • Payments & orders — Stripe set-up and the list of orders (section 10).
  • Front page & about — your name, tagline, first-panel artwork, bio, newsletter text, email and social links (section 11).
  • Password — change it here.

The top bar

Saved / Saving… shows the autosave state. View site ↗ opens the public site in a new tab. The sun/moon switch previews Night and Day mode. Sign out ends the session on this device.

02

Collections: creating one and choosing its page template

A collection is a group of works with its own page on the site and its own full-screen panel on the front page — Editorial, Books, Posters, and so on.

The New collection dialog: page templates above, page recipes below
+ New collection: name it, pick a page template (one layout for all the works) or a page recipe (a whole page of sections, ready to fill), choose colours. Each has a See example link where the site has one.
  1. + New collection in the sidebar.
  2. Type the name (it becomes the panel title and the page address, e.g. /collection/murals).
  3. Pick a page template (section 03) or a page recipe (section 07). The See example ↗ link under a card opens a live page that uses it. You can change your mind any time later: the Layout menu and Design mode both offer the same choices.
  4. Choose colours: a fresh palette colour, or copy the colours and eyebrow from an existing collection so a family of pages matches.
  5. Create collection. It starts as a draft: drop images in, write the blurb, then tick Published.

The collection header

Click the big title to rename. Layout ▾ changes the template. Published shows or hides the collection. ✎ Design page opens Design mode. Frame panel image positions the cover inside the front-page panel. Preview ↗ opens the page. Delete removes the collection (its works stay in the library until you delete them individually).

Details, colours & the write-up

Open the Details… box under the header to set the eyebrow (the small label above the title, e.g. "Collection" or "Personal"), the short blurb for the page header, the facts, the two panel colours, and the longer About this project text (section 06).

The Details box with the facts editor
Facts are label / value lines: Years, Media, Client, Role, Printed by, Size — whatever suits the project. Rename a label, change a value, × removes a line, + Add a fact adds one. They appear under the blurb at the top of the page and beside "About this project"; a line with an empty value is hidden.

03

The ten page templates

Each collection page shows its works in one of these layouts. The first five are classic; the last five are scroll-driven: the page pins and your scrolling plays the animation, forwards and backwards.

TemplateWhat the visitor seesGood for
WallMasonry grid in the works' own proportions; click opens the viewer.Sketchbooks, mixed work
GridUniform 4:5 tiles edge to edge, titles on hover (uses each work's focal point for the crop).Posters, series
ShowcaseOne full-width box per work with a centred caption and an optional button. Video and frame loops play in place.Big single pieces, the Malika Favre look
MagazineImage beside text, alternating left and right down the page.Books, case studies
ReelOne work at a time; swipe, arrows or ← → keys.Loops, posters
StackPinned: works fly in one by one and settle into a fanned pile. Each can be placed and sized by hand.Any set of 4–8 pieces
DrivePinned: vertical scrolling moves a horizontal row sideways, captions riding along.Sequences, panoramas; needs 5+ works
ZoomPinned: works start small and scattered, grow toward you and pass by. Each can be placed and sized by hand.Playful sets, teasers
ParallaxNot pinned: works of mixed sizes move at different speeds and overlap.Long collections
FramesPinned per frame sequence: the scrollbar scrubs the animation frame by frame. Other works show as boxes.Blinks, loops, anything made of frames
Live examplesThe collections named Stack, Drive, Zoom, Parallax and Frames on the site are examples of the scroll templates, built from the sample artwork. Delete them from the Studio when you no longer need them — the sample works stay in the library.
The Magazine template
Magazine: image left, caption right, then swapped for the next work.

04

Adding work: images, videos, frame sequences

Open a collection and drag files anywhere onto the page (or click the drop zone to choose files). Each file uploads with a progress bar and appears as a card at once. Whatever you upload is kept untouched as the original; visitors receive resized copies made automatically for their screen, so upload your full-size files.

Images

JPG, PNG, WebP, GIF, SVG, AVIF — up to 300 MB each. Animated GIFs keep animating. The card shows the pixel size and file size and has an original ↓ link to download the file you uploaded.

Videos

Drop an MP4 (H.264) or WebM, ideally 2–10 seconds. A dialog asks what to do with it:

  • Video loop — plays silently and loops wherever it appears; a still frame is captured automatically for thumbnails. Visitors on phones get a play button only if their phone blocks autoplay (Low Power Mode).
  • Frames · 8 / 12 / 24 fps — the Studio extracts frames from the clip and makes a frame sequence (below). The original clip is kept too.

Frame sequences

A frame sequence is an animation stored as numbered stills. On most pages it plays as a loop, like a sharp GIF; in the Frames template (or a Frames section) the scrollbar scrubs it: scroll down and the face blinks, scroll up and it un-blinks.

The frames window with twelve frames loaded
The frames window: the frames in order, a big preview with a counter, the strip to check the order, a title and the speed. One click uploads them as a single sequence.

The easy way: create the collection with the Frames template (or switch an existing one to it). The Studio immediately asks for your frames in the frames window: drop the numbered stills of one animation (blink-01.png, blink-02.png, …) or one short clip, or use Choose frames… / Choose a clip…. Move the mouse across the strip or the big preview to check the order (it follows the file names), set the title and the Speed (8 / 12 / 24 fps), press Upload. Dropping files anywhere on a Frames collection opens the same window, as does + Add a frame sequence under its drop box.

In any other collection there are still two ways:

  1. From a clip: drop the video and choose Frames. 12 fps on a 3-second clip gives 36 frames, which scrubs smoothly.
  2. From stills: select the numbered images and drop them together — when four or more arrive at once the Studio asks Separate works or One frame sequence — or click Make a frame sequence under the drop zone.

The card shows "36 frames · 12 fps"; move the mouse across its thumbnail to scrub through the frames. + frames on the card opens the window again to add more stills to the end. fps (also in the T caption box) sets how fast it loops on non-scrubbing pages. Keep every frame the same size.

Try itTwo ready-made sets live on the site: /samples/blink-frames.zip (24 frames of a face blinking) and /samples/sunrise-frames.zip (36 frames, a sun rising through a colour shift). Unzip, select all the PNGs, drop them into the frames window.
The Frames template scrubbing a sequence
Frames template: the sequence is pinned on screen; scrolling moves through its frames, with a counter at the bottom right.

05

Every button on a work's card

Each uploaded work is a card. The title is editable in place — click it and type. Below the title:

★Cover — this work becomes the collection's picture on the front-page panel and in the Work menu. 🏷Print — list it in the shop. Price, stock, edition and size fields appear on the card (section 10). TCaption — alt text, client, year, medium, a paragraph or two of text, a button label and link, how the box shows it (whole artwork on a colour, or fill the screen), the box colour, and fps for sequences. Used by Showcase, Magazine, Reel, Drive and the viewer. ⌖Focal point — the spot that must stay visible when the work is cropped (section 09). ◀ ▶Order — move the work earlier or later. You can also drag cards to reorder. 🗑Delete — removes the work and its file from the server, after a confirmation.

Badges on the thumbnail tell you at a glance: Cover Print Video 24 frames · 12 fps.

Alt textA one-line description of what the picture shows, for blind visitors and image search ("A woman in a red coat under a yellow sun"). It's in the T caption box. Worth doing for every finished piece.

06

Writing: blurbs, "About this project", captions

Three places take text, each with a different job:

WhereWhat it isShows up
Short blurb
Collection → Details
One or two sentences introducing the collection.Collection page header, beside the big title
About this project
Collection → Details
The long write-up: what the project was, who it was for, how it was made. A blank line starts a new paragraph; the first paragraph is set larger.Under the works on the collection page, with the collection's facts (Years, Media, Client… whatever you set) beside it
Caption
Work card → T
Per work: client, year, medium, text, and a button (label + link, e.g. "View in shop" → /shop).Showcase, Magazine, Reel and Drive layouts, and the viewer

Links can be site addresses (/shop, /collection/books) or full web addresses (https://…, which open in a new tab).

07

Design mode: building the page from sections

Press ✎ Design page on any collection (or ✎ Design front page in the sidebar). The real page appears in a live preview with a panel beside it. Click anything in the preview to select it; change a field in the panel and the preview updates at once. Everything autosaves — there is no Save button.

Design mode: the live page on the left, the Sections list on the right
Design mode. Left: the live page, with each section's small label (here BIG PICTURE). Right: the page as a list of sections, top to bottom, each with ▲ ▼ and ×. Desktop / Tablet / Phone switch the preview size; Open live ↗ shows the real page.

A page is a list of sections

Every page is built from sections stacked top to bottom. A new collection starts with three — its template over all its works, About this project, Next collection — and the front page with four. The list at the top of the panel is the page; whatever you do there happens in the preview.

  1. Add: + Add a section opens the section library. Click a card to add it at the end of the page, or drag the card into the preview: drop zones appear between the sections and you let go where you want it. Hover between two sections in the preview and a + Add a section here line appears; pressing it opens the library for that exact spot.
  2. Edit: click a section in the list, or its small label in the preview, and the panel shows only what that section needs: which works, a heading and text, a quote, a button, colours. New sections arrive already filled (the cover work, a sample line), so the page always looks right — you change words rather than fill in forms.
  3. Arrange: ▲ ▼ in the list, or drag a row; the section's label in the preview can be dragged onto a drop zone too.
  4. Remove: ×. A small Undo appears for a few seconds.
The section library open in the panel
The section library: Works, Words, Page (and Front page) cards. Drag one into the page or click to add.
Drop zones between sections in the preview
While you drag, every gap between sections becomes a drop zone. Without dragging, the same "+ Add a section here" line appears when you hover a gap.
Editing a Text section
A Text section selected: small line above, heading, text (blank line = new paragraph), alignment and its own colours. Type and the preview follows.

The sections you can use

SectionWhat it doesIts settings
Wall, Grid, Showcase, Magazine, Reel, Stack, Drive, Zoom, Parallax, Frames
Works
The ten layouts from section 03, each over a chosen set of works. One page can mix them: a Showcase of three key pieces, then a Grid of the rest, then a Frames sequence.All works, or tick the ones you want. By position ("start from work № / at most") for "the first two" or "the rest". On the front page: which collection.
Big picture
Works
One work, full width — a hero image, a video loop or a sequence.The work; filling the box (crops) or whole, on a colour; full screen or natural height; title under it on/off; colours.
Two up
Works
Two works side by side with their titles.Tick two works.
Text
Words
A heading and paragraphs: an introduction, the brief, a process note, credits.Small line above, heading, text, left / centred, background and text colours.
Quote
Words
A big pull quote with who said it.Quote, attribution, colours.
Call to action
Words
A line and a button: "Commission a piece", "See the prints", "Get in touch".Small line above, line, button label, button link (#contact, /shop or a full address), colours.
About this project
Page
The collection's write-up with its facts beside it.The write-up and the facts, edited right here.
Next collection
Page
The big link to the next published collection.Automatic.
Shop
Page
A strip of prints with prices and a link to the shop.Small line, heading, how many prints.
About & newsletter
Page
Your bio beside the newsletter sign-up.Bio and newsletter line, edited right here.
Opening panel, Collection panels
Front page only
The full-screen panel with your name, and one panel per collection.Name, line, link, artwork, colours, Frame image; the panel order.

Page recipes

A page recipe is a whole page of sections, ready to fill. Pick one when you create a collection, from the Layout ▾ menu, or from Start again from a template or a page recipe at the bottom of the Sections panel — then move, add or remove anything. Recipes describe works by position ("the first two", "the rest", "the third one"), so the same recipe fits any collection.

RecipeWhat you get, top to bottomGood for
Case studyBig picture → Text (the brief) → Showcase of the first two → Quote → Magazine of the rest → Call to action → About this project → NextClient work with a story
ExhibitionCentred Text → Grid of everything → Two up → Quote → Shop strip → NextA show, a series
Scroll storyBig picture → Stack of six → centred Text → Zoom through the rest → Call to action → NextEnergy; portfolio highlights
FeatureMagazine of three → Big picture shown whole → Text (process) → Reel of the rest → About this project → NextBook covers, editorial
LookbookTwo up → Big picture → Two up → Wall → Quote → Call to action → NextPosters, prints

The collections named Recipe · Case study, Recipe · Exhibition and so on show each recipe built from sample work; delete them when you no longer need the examples.

Starting overStart again from a template gives you the simple three-section page again; a recipe gives you its full set. Both replace the current sections, so use them when you want a clean slate.

What else the panel offers

  • Collection — name, eyebrow, blurb, colours, published.
  • Selected work (click a work in the preview) — title, alt text, caption fields, box fit and colour, make cover, tag as print, focal point, move earlier/later, delete.
  • Placement (Stack and Zoom only) — Left·right, Up·down, Size and, for Stack, Tilt. Or simply drag the work in the preview to where you want it; the position is saved. Reset placement returns it to the automatic spot.

Use Desktop / Tablet / Phone to check the page at each size before you publish. Open live ↗ shows the real page; ← Back returns to the collection.

08

The front page: panels, framing, order

The front page is a stack of full-screen panels: the first is you (name, tagline, your chosen artwork), then one panel per published collection, then the shop row, about and newsletter, and the footer with your email. It is built from sections too: ✎ Design front page lists Opening panel, Collection panels, Shop and About & newsletter, and you can reorder them or add a Grid or Showcase of any collection, a Big picture, a Text or a Call to action between them. Back to the standard front page restores the original order.

The front page's first panel
The first panel. The small line, the big name and the link come from Front page & about; the artwork is one of your works, framed with the frame editor.

✎ Design front page in the sidebar opens the same builder for the front page. Its sections are Opening panel, Collection panels, Shop and About & newsletter; add a Grid or Showcase of any collection, a Big picture, a Text or a Call to action between them, reorder, or press Back to the standard front page. Click a panel in the preview to edit it:

  • Opening panel — name, small line, link text, background and text colours, the artwork (click a thumbnail), and Frame image.
  • Collection panel — name, eyebrow, colours, cover (click a thumbnail), published, Frame image, and a shortcut to that collection's page design.
  • Panel order — select the Collection panels section for the up/down arrows; this is also the order in the Work menu.

Frame image

The frame editor
Frame the panel image: drag the picture to move it, scroll or use the slider to zoom; the title is overlaid exactly where it sits on the site. Check Desktop and Phone before saving.

The panel slowly breathes and tilts with the cursor on the live site; the framing you save is the resting position.

09

Focal points and framing: controlling the crop

Two tools decide what shows when a picture has to be cropped:

  • Frame image (previous section) is for the front-page panels: you pan and zoom the whole panel.
  • Focal point (⌖ on a work's card, or in Design mode) is for everywhere else a work is cropped: Grid tiles, the thumbnails in the Work menu, "fill the screen" boxes, and frame sequences in cover mode. You mark one spot that must stay visible; the crop is arranged around it.
The focal point editor
Focal point: click or drag the marker; the 4:5, 16:9 and square previews update live. Centre resets it.

Layouts that show the whole picture (Wall, Magazine, Reel, Stack, Zoom, Parallax, the viewer) ignore the focal point — nothing is cropped there.

10

Prints and payments with Stripe

Tag any work as a print with 🏷 on its card and fill in price, stock (leave blank for an open edition; a number counts down with each sale and shows "Sold out" at zero), edition text and size. Prints appear in the shop and, the first four, on the front page. Prints & shop in the sidebar lists them all for reordering.

Switching payments on

Payments & orders screen
Payments & orders: key, currency, countries you ship to, shipping rates, the Buy-buttons switch, and the orders list.
  1. In your Stripe Dashboard open Developers → API keys and copy the Secret key. While trying things out use the test key (starts sk_test_); for real sales use the live key (sk_live_).
  2. In Payments & orders paste the key, choose the currency, list the countries you ship to (two-letter codes: GB, IE, FR …) and add flat shipping rates — the buyer picks one at checkout.
  3. Save payment settings, then Test connection to confirm the account and mode.
  4. Tick Buy buttons on the shop and save again. Each print now has Buy · £80 instead of Enquire.

How a sale works

The buyer presses Buy and goes to Stripe's payment page (card, Apple Pay, Google Pay; Stripe collects the shipping address). Afterwards they land on your thank-you page; the order is recorded, stock reduced, and Stripe emails them a receipt. The order appears under Orders with name, email and address; set its status to shipped when it's gone. In test mode, pay with card 4242 4242 4242 4242, any future date, any CVC.

Before going liveLive Stripe needs the site on a public address with HTTPS (Daniel is setting this up). Until then, use the test key.

11

Front page & about settings, newsletter, contact

Front page & about in the sidebar holds the words and pictures that aren't tied to one collection:

  • Name (the big title on the first panel), the small line above it, the link text, the panel colours, the artwork (pick any uploaded work) and Frame first panel image.
  • Site opens in Night or Day mode. Visitors can switch with the sun/moon in the bar; the panels keep their own colours in both.
  • About — two or three sentences; Newsletter blurb — the line beside the sign-up field.
  • Email (shown large in the footer and used by the shop), location, Instagram and Behance links (leave blank to hide).

Newsletter sign-ups are saved on the server (Daniel can export them); a proper newsletter tool can be connected later.

The shop page
The shop: title, price, edition and size per print; Buy or Enquire depending on whether payments are on.

12

Good files: sizes, formats, exporting clips and frames

ForRecommended
ImagesFull-size JPG or PNG straight from your export — 3000–6000 px on the long side is ideal. The server keeps the original and makes 480–2800 px copies for visitors, so there is no need to resize first.
Transparent artworkPNG or WebP with transparency; the box colour behind it is set per work (T caption) or per collection.
Animated GIFFine as it is; it animates on the site. For anything over a few MB prefer a video or frame sequence.
Video loopMP4 (H.264) or WebM, 2–10 s, 1080p or 4K, no sound needed. Export normally from After Effects / Premiere / iPhone; raw screen recordings sometimes lack duration information and can't be turned into frames.
Frame sequence from stillsNumbered files in order (name-01.png …), all the same size, 24–72 frames. PNG or JPG.
Frame sequence from a clipChoose 12 fps for most things, 24 for fast motion, 8 for a slow blink. Up to 240 frames.
Check on a phoneAfter publishing, open the page on your phone. Design mode's Phone preview is close, but a real device also tells you how autoplay and scrolling feel.

13

Troubleshooting and housekeeping

"Your session ended. Sign in again."

Sessions last two weeks per device. Sign in; nothing is lost — unsaved edits are kept in the tab and sent after you sign in.

A video needs a tap to play on iPad or iPhone

The device is refusing unattended playback: check Settings → Battery → Low Power Mode (off) and Settings → Safari → Auto-Play (not "Never"). The site starts loops on the first touch regardless.

A new image looks blurry for a second

Resized copies are made in the background right after upload; the first viewer may briefly see a smaller one. It settles within moments.

The Studio in two tabs shows different things

Switch back to a tab and it refreshes itself. Saves from different tabs merge; you cannot overwrite your own work from another device.

Deleting

Deleting a work removes its file from the server too; deleting a collection leaves its works in the library. Both ask for confirmation. There is no undo, so download the original ↓ first if in doubt.

Where everything lives

On the NAS: /Volume2/ivan-site/uploads holds every original you've uploaded (your archive), data/site.json holds all the text and settings, data/orders.json the orders. Back these up.